With its dreamy, sitar-accented verse and lyrical
references to brilliant colors and hallucinogenic images, the Beatles
song “Lucy in the Sky With Diamonds” is one of several songs marking the
Beatles’ foray into the area of psychedelia. Written in 1967 as a track on “Sgt
Pepper’s Lonely Hearts Club Band,” this deceptively simple song stands as
another shining example of the compositional wizardry of Lennon and McCartney,
the intelligent contributions of Ringo Starr and George Harrison, and the
prodigious skills of producer George Martin.
The Beatles’ ability to
work together to deliver a great song is very much in evidence on this
recording. John’s languid vocal melody on the verse is underpinned by a
cryptic, hypnotic figure played on an organ — recorded in such a way that it
mimics the sound of a celeste or harpsichord – while George Harrison’s use of
sitar and tambura imparts a mystical Eastern flavor. Ringo Starr’s crisp
drumming in the chorus lifts the song to a new, energetic level that allows the
hook to burst out at the listener.
Arguably one of the best songs on the
album, “Lucy” was embraced by Beatles fans and well-regarded by critics, who
praised its imaginative “nursery school surrealism” as well as its seamless
blending in with the “sonic carpet” of the “Sgt Pepper” album.
But
rumors – insinuating that the song title was really a coded reference to the
hallucinogen drug LSD – soon begin to fly. In the ensuing controversy, the song
was banned by the BBC, a turn of events which did nothing to diminish its
popularity and mystique.
John Lennon addressed the rumors, emphatically
stating that the song was not about drugs and that it had been inspired by a
colorful painting created by his son, Julian. Julian had a schoolmate named
Lucy, with whom he may have been mildly infatuated, and he reportedly had
titled his painting “Lucy…In the Sky With Diamonds” before his father had even
seen it. Insisting that a reference to drugs had never entered his mind,
Lennon mocked the idea that letters from the song’s title had been used to
indicate LSD.
Paul McCartney, who had co-written the song with Lennon,
was later to contest this explanation. In 2004, almost a quarter century
after Lennon’s death, McCartney declared in an interview with USA
Today that “Lucy” – as well as the single “Day Tripper”– was indeed
about taking LSD. He implied that there were other hints to drug use in
Beatles songs — specifically “Got To Get You Into My Life,” which referenced
marijuana — but cautioned against overestimating the influence of drugs on the
Beatles’ music. Although McCartney owned up to some dabbling in drugs, he
noted that writing songs had been “too important “ to the Beatles for them to
have ever allowed the process to be jeopardized by overindulgence.
In
the years since its creation, “Lucy in the Sky With Diamonds” has become deeply
ingrained in the contemporary music lexicon. The song has been covered by
performers from William Shatner to The Black Crowes, as well as parodied by
Marilyn Manson as “Lucy in the Sky With Demons.” In 2007, a
wistful-sounding, heartfelt version was performed by Bono and guitarist The
Edge on the soundtrack of “Across the Universe,” a movie musical loosely based
on Beatles songs. In 2012, the song’s first few measures were sampled by rapper
Mac Miller.
The song’s legacy extends beyond music to fields as diverse
as anthropology and astronomy. When a fossilized skeleton of a female
Australopithecus afarensis was discovered in 1974, she was christened “Lucy”
due to the song’s popularity as background music during the dig. The White
dwarf star, which contains a core of crystallized carbon – or native diamond —
has also been dubbed “Lucy.”
With different accounts given by Lennon and
McCartney, the exact truth as to drug references in “Lucy” may never be known.
The most likely answer is that both versions contain aspects of the truth.
In the end, of course, it doesn’t really matter. “Lucy in the Sky
With Diamonds” was, simply, music that was at least partly inspired by the artwork
of a child, then shaped by the creative forces of the Beatles into a work of
art in its own right.
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